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Screenwriting Newsletter |
Keep up to date with the latest
articles and discounts with our FREE screenwriting
newsletter.
"... one of the best newsletters for writers.
Get to know it!" -- ScriptShark
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Emmy award winner Molly Newman discusses the world of the TV writer. She covers everything from breaking in to survival strategies in a writer's room to how to become an E.P..
Go to the interview.
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Have a screenplay you want to rewrite? The more effective your rewrite strategies, the better your script will be. Spend two hours on the phone with Hal Croasmun and your next rewrite will produce better results than you can imagine right now.
Here's some of what we'll cover:
- The #1 Key to Rewriting
Success. Change this one thing and rewriting gets so much
easier.
- The most important
question you must ask to turn dull scenes into dramatic
and valuable scenes.
- The key ingredient
that will turn a simple conflict into an unforgettable one.
- Three ways to turn
ordinary characters into extremely compelling story people.
- The #1 Reason writers
won't cut bad scenes. Don't be guilty of this.
- And 16 other Advanced
Strategies for rewriting.
Sign up for the teleconference!
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Screenwriting articles and interviews.
Sharpen your screenwriting skills with screenwriting articles and interviews that get to the heart of the matter.
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Class: The Professional Series
Price: $1100 Regular,
Early Bird Price $750
Dates: Dec 13, 2008 - June 15, 2009
The purpose of the ProSeries is to have you improve every part of the
writing process, but more importantly, to have every page of your script
and every component be as attractive as it can be to a producer who has the
power to purchase your screenplay.
Past ProSeries Alumni have gone onto have their work sold and produced, many are now represented by agents and managers and the list is growing.
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Class: Comedy Writers for Screenplays
Price: $90
Class length: 10 days
Dates: Jan 25- Feb 4, 2009
Advertisers say "sex sells," but in the movie business, many readers, producers, actors enjoy good comedy more than sex in screenplays. No matter what genre you write, it can benefit by writing better humor. In this class, we analyze successful comedy movies and work with proven techniques to create comedy concepts, humorous characters, physical humor, and funny lines.
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